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pictograph n.1.象形文字,繪畫文字;用象形文字所作的記錄。2.古...

Ox , and visiting the museum to view actual shang dynasty oxen carriage , 1 see that the inscriptions are both tuhua wenzi , and when they come together , they become what cang ji termed zi “ character “ . this coming - together can form a beautiful picture , a beauty that is comparable to the pictographs of the shang and zhou dynasty bell - and - gong script . there was a time when many tuhua wenzl were formed , and they combined with single radical wen to form whole , complete pictographs 譬如車字牛字,再到博物院去參看商做生意的商人之名,來自商代賣貨到東海去換貝回來而來的人的牛車,其車與牛,完全是象形的圖畫,合在一起,即倉頡的字,這是設想的構想的,可以成為一幅很美的畫,與商周銅器鐘鼎文的圖畫不相上下,曾經不斷的做,積了很多,又把單文單字結聯起來,成了整幅的圖畫,非常有趣。

Similarly , if the character is that of an animal or bird he substituted that character with a picture . the paintings in the last two categories look very much like painting rather than calligraphy . in the fifth category , huang yao chose the appropriate pictograph or picture to express the the meaning or the concept in the title of the painting 將中國古文字的特質,溶入中國文字畫“意“與“象“圓融的結合,平衡展現并且以深厚的國學背景為創作主題的內質,讓中國文字畫臻至“形神“與“意象“純和的化境。

By dissecting one of kafka ' s short stories ordinary bewilderment , the paper reveals that kafka perceives his creation as “ a reflection of his illusionary inner life “ , that all his works are vivid depictions and interpretations of his inner world , and that they are “ pictographs “ of his ego 摘要卡夫卡在其短篇《尋常的困惑》中,把自己的創作視為“我夢幻般的內在生活的表現” ,他的每部作品都是對他內心生活的形象寫照與詮釋,是他自己的“象形文字” 。

“ wood “ word collected the sign factor of the oracle - bone scripture beside , turning into from the first painting of the pictograph is in chinese eye it is a writing , but in the foreigner eyes it then a draw , get the internationalization cognition thus and more and easily “木”字旁采集了甲骨文的符號因素,由最初繪畫演變成的象形文字在中國人眼中它是文字,而在外國人眼中它則是一幅畫,從而更容易得到國際化認知。

The second stage was the preparation and the use of wenzi to make paintings . huang yao specifically collected a large number of pictographs for things in the chinese grouping of “ sky , on earth and human parts “ 黃堯深入研究文字學,并且透過文言古籍與古文字學的關系,體悟上古人類生活史,奠定駕馭甲骨文鐘鼎文等古文字的能力及深湛的創作基石。

pictographic

Ox , and visiting the museum to view actual shang dynasty oxen carriage , 1 see that the inscriptions are both tuhua wenzi , and when they come together , they become what cang ji termed zi “ character “ . this coming - together can form a beautiful picture , a beauty that is comparable to the pictographs of the shang and zhou dynasty bell - and - gong script . there was a time when many tuhua wenzl were formed , and they combined with single radical wen to form whole , complete pictographs 譬如車字牛字,再到博物院去參看商做生意的商人之名,來自商代賣貨到東海去換貝回來而來的人的牛車,其車與牛,完全是象形的圖畫,合在一起,即倉頡的字,這是設想的構想的,可以成為一幅很美的畫,與商周銅器鐘鼎文的圖畫不相上下,曾經不斷的做,積了很多,又把單文單字結聯起來,成了整幅的圖畫,非常有趣。

Similarly , if the character is that of an animal or bird he substituted that character with a picture . the paintings in the last two categories look very much like painting rather than calligraphy . in the fifth category , huang yao chose the appropriate pictograph or picture to express the the meaning or the concept in the title of the painting 將中國古文字的特質,溶入中國文字畫“意“與“象“圓融的結合,平衡展現并且以深厚的國學背景為創作主題的內質,讓中國文字畫臻至“形神“與“意象“純和的化境。

The rosetta tablet consists of three epigraphs , including ancient egyptian pictograph and ancient greek script . scholars thought that according to the deciphered greek script , decoding of ancient egyptian script would follow as a matter of course . but it proved that decoding ancient egyptian pictograph was not as easy as they had thought 羅塞達石碑是由三段銘文組成的,包括古埃及象形文字和古希臘文字學者們認為根據已釋讀出的古希臘文字,揭開古埃及文字的奧秘是順理成章的事實證明破解古埃及象形文字之謎并沒有他們想象的那樣簡單。

By dissecting one of kafka ' s short stories ordinary bewilderment , the paper reveals that kafka perceives his creation as “ a reflection of his illusionary inner life “ , that all his works are vivid depictions and interpretations of his inner world , and that they are “ pictographs “ of his ego 摘要卡夫卡在其短篇《尋常的困惑》中,把自己的創作視為“我夢幻般的內在生活的表現” ,他的每部作品都是對他內心生活的形象寫照與詮釋,是他自己的“象形文字” 。

Has collected various and hidden the stone in the garden , including having characteristic sanxia picture stone here most , the stone of the natural pictograph , there are agate stones , cured stone , the crystal stone , the stone of lingbi , stone of the garden , etc . , its shape is unique , true naturally 苑內收藏了各種藏石,包括最具本地特色的三峽畫面石,自然象形石,還有瑪瑙石,臘石,水晶石,靈璧石,園林石等等,其形態獨特,真實自然。

“ wood “ word collected the sign factor of the oracle - bone scripture beside , turning into from the first painting of the pictograph is in chinese eye it is a writing , but in the foreigner eyes it then a draw , get the internationalization cognition thus and more and easily “木”字旁采集了甲骨文的符號因素,由最初繪畫演變成的象形文字在中國人眼中它是文字,而在外國人眼中它則是一幅畫,從而更容易得到國際化認知。

I have used this method of zhuan shu many times , for calligraphic painting . it began with my interest in epistemology and research into pictograph , where i tried using the way i write zhuan shu for writing these words of ancient scripts 這種用籀篆寫的書法繪畫,我已寫過不少,先出于個人對文字學上做研究探討象形文字的趣味,用平時習寫隸書漢碑的筆法,來參變融會而成。

This set of cartoons shows how early humans may have made pictographs of animals , similar to those of ancient chinese writing ; and how they created paintings , spontaneously or premeditated as in the making of ziyou hua 黃堯以輕松的手法畫出他最深思的藝術結晶,他以亞當與夏娃的漫畫造形來解釋中國文字的來源,原始生活與美術的關系及男與女最古老的關系。

The second stage was the preparation and the use of wenzi to make paintings . huang yao specifically collected a large number of pictographs for things in the chinese grouping of “ sky , on earth and human parts “ 黃堯深入研究文字學,并且透過文言古籍與古文字學的關系,體悟上古人類生活史,奠定駕馭甲骨文鐘鼎文等古文字的能力及深湛的創作基石。

We install tourist information signs written in pictographs and foreign languages so that tourists from overseas , handicapped people and elderly people can enjoy traveling in tokyo safely 為了使外國游客和殘疾人、老年人能放心地享受東京觀光的樂趣,設置了繪圖文字(圖形文字)和用外語標記的觀光指引標志。

That pictographs await excavation in india does not undermine the importance of literary evidence to the existence of writing skills of the vedic folks 在印度有待發掘的象形文字并不破壞吠陀梵語民族文字書寫技巧的證據。

10 many chinese characters are pictographs , often the meaning of a particular character is apparent in the pictorial form of the character 10許多漢字屬象形文字,人們常可從字的形狀揣知其義。

This early site also contains the first indication of abstract symbols , or pictographs , scratched onto pottery 這個遺址也首度顯示,當時的人已會在陶器上草草寫上抽象符號(即象形文字) 。

On formation of oneness between heaven and man mode of thought in perspective of pictograph 從象形文字透視天人合一思維模式的形成