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physicality n.1.肉體性。2.注重肉體〔區別于精神〕。

The paper introduced their architectural investigation and practice on the aspects of architectural tectonic , relation between tradition and creativity , the molding of place and construction of architectural space etc . such as david chipperfield ' s value of architecture ' s initial meaning and physicality , his emphasize on the architectural experience quality and ethics duty of the architect , and his view on the continuation of tradition and creativity ; waro kishi ' s value of tectonic noumenon , his concept of “ industrial vernacular “ , his application of the “ architectural promenade “ principle , and application of courtyard ; tod williams & billie tsien ' s principle of “ architecture is combination of work and life “ , their value of place , their observation of material characteristic , and their “ slow “ principle on design , me thod , and sense perception . the paper also introduces the three architect ' s representative works and their design method 介紹了他們在建筑的建構、傳統與創新的關系、場所感的塑造以及建筑空間的創造等方面所進行的理論探索與建筑創作實踐,如大衛?謝潑菲爾德對建筑內在意義及建筑實體( physical )的重視、對建筑的體驗品質和建筑師的倫理責任的強調、對傳統和創新的可持續性的認識;岸和郎的對建構本體的重視、關于“工業鄉土性”的概念、對“建筑的漫步”理念的運用、以及對庭院空間的運用;托德?威廉姆斯和比麗?錢的“建筑是工作和生活的結合”的基本設計理念、對場地的重視,對材料特性的探索、以及關于設計、方法、感知方面的“緩慢”的理論。

The paper introduced their architectural investigation and practice on the aspects of architectural tectonic , relation between tradition and creativity , the molding of place and construction of architectural space etc . such as david chipperfield ' s value of architecture ' s initial meaning and physicality , his emphasize on the architectural experience quality and ethics duty of the architect , and his view on the continuation of tradition and creativity ; waro kishi ' s value of tectonic noumenon , his concept of “ industrial vernacular “ , his application of the “ architectural promenade “ principle , and application of courtyard ; tod williams & billie tsien ' s principle of “ architecture is combination of work and life “ , their value of place , their observation of material characteristic , and their “ slow “ principle on design , me thod , and sense perception . the paper also introduces the three architect ' s representative works and their design method 介紹了他們在建筑的建構、傳統與創新的關系、場所感的塑造以及建筑空間的創造等方面所進行的理論探索與建筑創作實踐,如大衛?謝潑菲爾德對建筑內在意義及建筑實體( physical )的重視、對建筑的體驗品質和建筑師的倫理責任的強調、對傳統和創新的可持續性的認識;岸和郎的對建構本體的重視、關于“工業鄉土性”的概念、對“建筑的漫步”理念的運用、以及對庭院空間的運用;托德?威廉姆斯和比麗?錢的“建筑是工作和生活的結合”的基本設計理念、對場地的重視,對材料特性的探索、以及關于設計、方法、感知方面的“緩慢”的理論。

physically

Through the works of 16 contemporary artists from the us , china , canada , and the united kingdom , this project considers video and film , not only as aesthetic and creative form , but also as a conceptual canvas riddled with questions of sight , of viewing , of subject / object , of aura and authenticity , of spectator and voyeur , of physicality and time 通過來自美國、中國、加拿大和英國的16位當代藝術家的作品,這個項目把影視不止看作是美學的,富有創造性的形式,也把它看作是一幅充滿迷題的概念式油畫,視覺、觀看、主體/客體、氛圍和真實性、觀看者和窺視者、物質性和時間等問題糾葛在一起。

Physicality existed in a shadow of shadows that could not be perceived ; as physicality began to ascend in the past decade or so , now it entering vibrational bandwidths that can be worked with by the souls that have entered from the great central sun and ensouled the light body body - double planes to support the return journey of earth “ home ” 物質一直存在于無法被覺察的陰影下,當物質層在過去約10年提升后,現在它進入到能和這些來自大中樞太陽、并給光體翻版體層賦靈的靈魂一起工作的頻寬之中,以支持地球回家的旅程。

The paper introduced their architectural investigation and practice on the aspects of architectural tectonic , relation between tradition and creativity , the molding of place and construction of architectural space etc . such as david chipperfield ' s value of architecture ' s initial meaning and physicality , his emphasize on the architectural experience quality and ethics duty of the architect , and his view on the continuation of tradition and creativity ; waro kishi ' s value of tectonic noumenon , his concept of “ industrial vernacular “ , his application of the “ architectural promenade “ principle , and application of courtyard ; tod williams & billie tsien ' s principle of “ architecture is combination of work and life “ , their value of place , their observation of material characteristic , and their “ slow “ principle on design , me thod , and sense perception . the paper also introduces the three architect ' s representative works and their design method 介紹了他們在建筑的建構、傳統與創新的關系、場所感的塑造以及建筑空間的創造等方面所進行的理論探索與建筑創作實踐,如大衛?謝潑菲爾德對建筑內在意義及建筑實體( physical )的重視、對建筑的體驗品質和建筑師的倫理責任的強調、對傳統和創新的可持續性的認識;岸和郎的對建構本體的重視、關于“工業鄉土性”的概念、對“建筑的漫步”理念的運用、以及對庭院空間的運用;托德?威廉姆斯和比麗?錢的“建筑是工作和生活的結合”的基本設計理念、對場地的重視,對材料特性的探索、以及關于設計、方法、感知方面的“緩慢”的理論。

Introduced by the royal conservatory , canada s leading arts education organisation , learning through the arts captivates and motivates students to learn through a unique blending of the sequential approach embodied in classroom curriculum with the insight , physicality and expressive power of the arts . the programme Learning through the arts計劃是由著名的藝術教育組織加拿大皇家音樂學院發起,通過將傳統的循序漸進的學習方式和藝術特有的表達特質肢體語言及洞察力融合在一起,吸引和鼓勵學生們學習。

Directed by multi - award winning choreographer wayne mcgregor , ataxia follows the urbane success of random s nemesis and comes to the stage after mcgregor s recently lauded commissions for rambert , english national ballet and the royal ballet . ataxia redraws the traditional hierarchies of dance to generate a fresh and radical look at human physicality . with random 在曾經獲得多項大獎的編舞waynemcgregor的指導下,蘭登舞團先以nemesis獲得了巨大成功,之后mcgregor應蘭伯特舞蹈團( rambert ) 、英國國家芭蕾舞團( englishnationalballet )和皇家芭蕾舞團( theroyalballet )的委托創作了《美麗迷惘》 ( ataxia ) ,并使其登上舞臺。

Hopefully for gordon ' s young bulls , that intensity will be stronger than whatever aggressiveness and / or physicality the heat bring with them to their white - splashed home stadium later this week 希望這支年輕的公牛真的能像戈登所說的那樣,保持他們的戰斗力,并不斷提升它;不管在熱火主場,他們將迎來的是侵略性的還是對抗性的還是這兩者兼具的熊熊烈火。

This is what causes their particular ascension to have a particular focus in any given year , as they perceive potential problems stepping down into physicality and choose to transcend them instead of manifest them 這是導致他們的提升在任何年份擁有一特別焦點的原因,因為他們覺察到潛在問題正在步入物理層,從而選擇超越而不是顯化它們。

Up until 25 years ago in human timeframe , the presence of any physical reality was unknown to the souls ensouling the light body body - double planes , which exist an octave above physicality 在人類時間尺度中,直到25年前為止,賦靈給光體翻版體層的靈魂都并不知道任何物質層實相的存在,它們比物質層高1個音階。

The image of a piece of design work can be defined as the union of subjective cordiality and objective physicality through an analysis of the differences between image and representation 摘要對意象和表象的區別分析,可以得出明確的平面設計意象概念界定,即意象是主觀情意和客觀物象的結合。

If all of humanity were ascending , they too would be integrating and transcending their own dark side , in which case such violence would not need to be acted out in physicality 如果所有的人類提升,他們也會整合和超越自己的黑暗面,在情形中這些暴力不需要被在物質層中付諸行動。

One can exit not through pain or disease , but by simply understanding that one is complete with life and then going on to exit physicality in sleep through conscious choice 一個人可以不經歷痛苦或疾病而去世,而僅需理解到自己完成了生命,就藉由有意識選擇脫離肉體而沉睡過去。

Often times the brain is so debilitated in the current limitation of form that more knowledge is stored in the nonphysical brain than in the physicality of the form 經常的,在當前身體的局限中大腦是如此操勞過度,所以更多的知識被儲存在非物質的大腦,而不是身體物質層中。

As the vision is recorded on the solar sun , and understood , it is then relayed back to the outermost dimension where you exist and begins to step down into physicality 當想象被太陽記錄,并被理解,隨后轉播回你所存在的密度的最外層,并開始逐步下降進入物理層。

This command modifies the dream that shall step into physicality in any given day , week or month of one ' s life to assure that the dream manifest supports ascension 這一命令調整了在生命中任何一天、一周、一月中將步入物理層的夢想,來確保所顯化的夢想支持提升。

Although initially he was just a benefactor to her , soon a deeper relationship ensues between them spurred by an accidental physicality when they end up making love 雖然最開始他只是捐助她,他們做完愛后爆發出意外的肉欲,使他們之間的關系很快越陷越深。

At some juncture of every initiate ' s evolution , nothing in physicality will continue to be of importance , and they will move into the next dimension 在每個提升者演化中的許多關鍵點上,沒有任何物質性的事物會持續它的重要性,而提升者們將移入下一維度。

It appears that the years 2025 to 2035 will birth the end of most cities as you know them founded upon the dream we see stepping into physicality at this time 看起來,在2025 - 2035年將出現大多數城市的終結,這一夢想我們看到現在正走下到物質層中。