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patriarchy n.1.家長制;族長政治;族長制社會;族長管區。2.父權...

From the following three aspects , that is , the analysis of the “ correct world “ , reversion of the “ red “ and “ white “ world and the overturning the established world , zhang ailing ' s medium - length novel red rose and white rose questioned and overturned the gender concept in the patriarchy - centered cultural context 張愛玲的著名中篇小說《紅玫瑰與白玫瑰》 ,從解剖“對的世界” 、逆轉“紅” “白”世界、以及顛覆“既定的世界”等三個方面,質疑并顛覆了男權中心文化語境中的性別觀念。

Feminism points out : patriarchy is the root in system and culture which makes women oppressed and discriminated , and owing to its powerfully permeating effect in ideology , women have been regarded as “ second - rate citizens “ for a long time . if women want to have a thoroughgoing liberation , the patriarchal social system must be overthrown 女權主義認為:父權制是女性受壓迫和歧視在制度上和文化上的根源,正是由于它強大的意識形態滲透作用,才使得女性長期被視作“二等公民” ,因此,若要使女性獲得徹底的解放,就要推翻父權制的社會制度。

The old wives ' tale and clayhanger , with an aim to explore bennett ' s implied androcentric discourse conflict : his sympathy with females and his critique or questioning of patriarchy are in contradiction with his support of “ the angle in the house . “ which displays the unconscious construction of male authority 以貝內特的“受虐者”心理為切入點,從女性主義角度審視他的三個主要文本《五城的安娜》 、 《老婦譚》和《克雷亨格》 ,其作品隱含的男權話語的矛盾:既同情女性,批評或質疑至高無上的父權;又推崇順從的“家庭天使” ,呈現出對男權中心的無意識建構。

Employing the method of faction study and regarding “ patriarchy “ as the central concept and basic clue , this thesis tries to make a more overall and systematic introduction , arrangement , comment and analysis to feminist thought in politics , with a wish to make up for the deficiency of study about this theory in chinese academic field 本文采用派別研究的方法,以“父權制”為中心概念和基本線索,試圖從政治學層面上對女權主義思想進行較為全面和系統的介紹、梳理與評析,以期彌補國內學術界對這一理論研究的不足。

The virtue and positions so specific to certain relationships are fixed ; . it can be read as a search for lost male subjectivity and masculinity “ lu p . 324 . that means , although there is a short period in the middle of the film when ju dou almost succeeds in overturning the ruling of patriarchy , it still turns out to be a failure eventually 舉例如荷里活的偶像派演員奇洛李維斯,本身雖然多以外型吸引觀眾,但是卻沒有忘記對電影的尊重,每電影都能放很多時間研究角色如拍matrix時便花數個月學功夫又如萬人迷畢比特,亦曾為電影角色拔丟幾顆牙,本身演員道德可見一班。

This meaningful term is regarded as a milestone for the liberation of the females and arose the continuous controversies in different schools for the equality between man and woman . based on the objection to patriarchy , they bitterly debated and strived for the equality and come into one and another new research stages on the equality between man and woman . the civilization developed continuously , so the whole enviorenment of the world is helpful for the enhancement of the females “ position and is favourable for the equality between man and woman “社會性別”的提出為女性解放道路樹立了一塊新的里程碑,這個具有深刻意義的概念,引發了各不同學派的女性主義對男女平等經久不衰的論戰,他們在反對父權制社會結構的基礎上各抒己見,并為之不斷奮斗,掀開女性平等權斗爭史上一頁又一頁的新篇章,將男女平等的研究推進一個新階段。

From the following three aspects , that is , the analysis of the “ correct world “ , reversion of the “ red “ and “ white “ world and the overturning the established world , zhang ailing ' s medium - length novel red rose and white rose questioned and overturned the gender concept in the patriarchy - centered cultural context 張愛玲的著名中篇小說《紅玫瑰與白玫瑰》 ,從解剖“對的世界” 、逆轉“紅” “白”世界、以及顛覆“既定的世界”等三個方面,質疑并顛覆了男權中心文化語境中的性別觀念。

Feminism points out : patriarchy is the root in system and culture which makes women oppressed and discriminated , and owing to its powerfully permeating effect in ideology , women have been regarded as “ second - rate citizens “ for a long time . if women want to have a thoroughgoing liberation , the patriarchal social system must be overthrown 女權主義認為:父權制是女性受壓迫和歧視在制度上和文化上的根源,正是由于它強大的意識形態滲透作用,才使得女性長期被視作“二等公民” ,因此,若要使女性獲得徹底的解放,就要推翻父權制的社會制度。

The old wives ' tale and clayhanger , with an aim to explore bennett ' s implied androcentric discourse conflict : his sympathy with females and his critique or questioning of patriarchy are in contradiction with his support of “ the angle in the house . “ which displays the unconscious construction of male authority 以貝內特的“受虐者”心理為切入點,從女性主義角度審視他的三個主要文本《五城的安娜》 、 《老婦譚》和《克雷亨格》 ,其作品隱含的男權話語的矛盾:既同情女性,批評或質疑至高無上的父權;又推崇順從的“家庭天使” ,呈現出對男權中心的無意識建構。

Employing the method of faction study and regarding “ patriarchy “ as the central concept and basic clue , this thesis tries to make a more overall and systematic introduction , arrangement , comment and analysis to feminist thought in politics , with a wish to make up for the deficiency of study about this theory in chinese academic field 本文采用派別研究的方法,以“父權制”為中心概念和基本線索,試圖從政治學層面上對女權主義思想進行較為全面和系統的介紹、梳理與評析,以期彌補國內學術界對這一理論研究的不足。

The virtue and positions so specific to certain relationships are fixed ; . it can be read as a search for lost male subjectivity and masculinity “ lu p . 324 . that means , although there is a short period in the middle of the film when ju dou almost succeeds in overturning the ruling of patriarchy , it still turns out to be a failure eventually 舉例如荷里活的偶像派演員奇洛李維斯,本身雖然多以外型吸引觀眾,但是卻沒有忘記對電影的尊重,每電影都能放很多時間研究角色如拍matrix時便花數個月學功夫又如萬人迷畢比特,亦曾為電影角色拔丟幾顆牙,本身演員道德可見一班。

This meaningful term is regarded as a milestone for the liberation of the females and arose the continuous controversies in different schools for the equality between man and woman . based on the objection to patriarchy , they bitterly debated and strived for the equality and come into one and another new research stages on the equality between man and woman . the civilization developed continuously , so the whole enviorenment of the world is helpful for the enhancement of the females “ position and is favourable for the equality between man and woman “社會性別”的提出為女性解放道路樹立了一塊新的里程碑,這個具有深刻意義的概念,引發了各不同學派的女性主義對男女平等經久不衰的論戰,他們在反對父權制社會結構的基礎上各抒己見,并為之不斷奮斗,掀開女性平等權斗爭史上一頁又一頁的新篇章,將男女平等的研究推進一個新階段。

patricia

From the following three aspects , that is , the analysis of the “ correct world “ , reversion of the “ red “ and “ white “ world and the overturning the established world , zhang ailing ' s medium - length novel red rose and white rose questioned and overturned the gender concept in the patriarchy - centered cultural context 張愛玲的著名中篇小說《紅玫瑰與白玫瑰》 ,從解剖“對的世界” 、逆轉“紅” “白”世界、以及顛覆“既定的世界”等三個方面,質疑并顛覆了男權中心文化語境中的性別觀念。

This article reflected on the model work of the ancient greek oedipus from the view of culture , and considered that the author has a deep reflection on this ethics relation about patriarchy replacement of matriarchy in his works , in the meantime , the author provides a base prototype for individuality ' s mental translation from this three point : the ideal of law ; the double explanation of hero and submit to the patriarchy 摘要從文學文化學的視角重新審視古希臘悲劇的典范作品《俄狄浦斯王》 ,認為作品蘊含了作者對父權制取代母權制這一重大社會轉型時期倫理關系的深刻思考,并從法權觀念、對英雄的雙重解讀和順從于父系血緣三個方面為社會轉型期間的生命個體提供了心理轉換的基本原型。

Feminism points out : patriarchy is the root in system and culture which makes women oppressed and discriminated , and owing to its powerfully permeating effect in ideology , women have been regarded as “ second - rate citizens “ for a long time . if women want to have a thoroughgoing liberation , the patriarchal social system must be overthrown 女權主義認為:父權制是女性受壓迫和歧視在制度上和文化上的根源,正是由于它強大的意識形態滲透作用,才使得女性長期被視作“二等公民” ,因此,若要使女性獲得徹底的解放,就要推翻父權制的社會制度。

The old wives ' tale and clayhanger , with an aim to explore bennett ' s implied androcentric discourse conflict : his sympathy with females and his critique or questioning of patriarchy are in contradiction with his support of “ the angle in the house . “ which displays the unconscious construction of male authority 以貝內特的“受虐者”心理為切入點,從女性主義角度審視他的三個主要文本《五城的安娜》 、 《老婦譚》和《克雷亨格》 ,其作品隱含的男權話語的矛盾:既同情女性,批評或質疑至高無上的父權;又推崇順從的“家庭天使” ,呈現出對男權中心的無意識建構。

Employing the method of faction study and regarding “ patriarchy “ as the central concept and basic clue , this thesis tries to make a more overall and systematic introduction , arrangement , comment and analysis to feminist thought in politics , with a wish to make up for the deficiency of study about this theory in chinese academic field 本文采用派別研究的方法,以“父權制”為中心概念和基本線索,試圖從政治學層面上對女權主義思想進行較為全面和系統的介紹、梳理與評析,以期彌補國內學術界對這一理論研究的不足。

The virtue and positions so specific to certain relationships are fixed ; . it can be read as a search for lost male subjectivity and masculinity “ lu p . 324 . that means , although there is a short period in the middle of the film when ju dou almost succeeds in overturning the ruling of patriarchy , it still turns out to be a failure eventually 舉例如荷里活的偶像派演員奇洛李維斯,本身雖然多以外型吸引觀眾,但是卻沒有忘記對電影的尊重,每電影都能放很多時間研究角色如拍matrix時便花數個月學功夫又如萬人迷畢比特,亦曾為電影角色拔丟幾顆牙,本身演員道德可見一班。

The magazines of men in the article we discuss is referred that the vogue magazines which are aimed at men , not including other magazines which are read by most of men widely , for example : financial magazines 、 sport magazines and etc . in the patriarchy , the images and the expressions of the female are tied by the male , and the female can ’ t represent themselves 本文所探討的男性雜志是指以男性為訴求對象的時尚類生活雜志,不包括男性讀者喜歡閱讀的其它類型雜志,如財經雜志、體育雜志等。在男權社會中,女性在媒介中的形象和話語表達完全桎梏在以男性為本位的模式之中,女性無力再現自身。