K - kabuki 中文

kabuki n.〔日語〕歌舞伎〔創始于17世紀的日本傳統劇種〕。

kabul
During his career that spans over half a century , he has performed in many places , including china , soviet union , egypt , the united states , and hong kong . in 1992 , he started a highly acclaimed workshop , “ kabuki for everyone “ , that is designed to provide an enjoyable introduction to the intricate art of kabuki for people around the world 逾半世紀的演藝生涯當中，他曾到世界多個地方演出，包括了中國、蘇聯、埃及、美國及香港等地。 1992年起，他開始辦kabukiforeveryone工作坊，用輕松有趣的形式，將獨特的歌舞伎表演藝術介紹給世界各地的觀? 。
Sound effects known as tsukeuchi , ie , fast beating of clapper woods , are used for climax scenes in kabuki performance . some members of the audience were invited on stage to experience beating the clapper woods . mr ichimura concluded the workshop by demonstrating how to perform different acts 歌舞伎上演到高潮時，會藉快速敲擊木方，以令氣氛更為高漲，日語叫作附打；工作坊的部份觀?應邀上臺，一嘗敲擊木方的體驗，市村先生并示范了如何表演不同的角色作為壓軸，他說：我希望參加了這個工作坊的朋友會對日本的文化及傳統增加認識和了解。
As part of the 20th anniversary celebrations of the department of japanese studies of the university of hong kong , and also to celebrate the 50th anniversary of the hongkong japanese club ; a kabuki for everyone workshop was held at hku today july 22 , featuring world famous kabuki performer ichimura manjiro 香港大學(港大)日文研究學系為慶祝創系20周年，疇辦一系列的活動，其中之一的歌舞伎賞入門工作坊，于今天( 7月22日)在港大舉行，由世界著名歌舞伎演員市村萬次郎主持。
They visited mount fuji , the highest mountain in japan , the beautiful himeji castle and many famous places in tokyo , such as the meiji shrine , asakusa - kannon temple and ueno park ; they went to the kabukiza theatre in ginza to see one of the unique japanese kabuki plays 他們參觀了日本最高的山脈富士山，美麗的姬路城和東京許多著名的地方，例如明治神宮，淺草觀音寺與上野公園?他們去銀座的歌舞伎座劇院觀賞日本獨一的歌舞伎戲劇。
Today , we wear yukata as casual summer clothing in japan . by the way , many actors and actresses of kabuki or other theatrical performances wear yukata in the backstage dressing room to make themselves feel relaxed before the show 此外，在歌舞伎等戲劇的演出后臺，很多演員都穿著和服休息，直到輪到他們出場的前一刻，她們才換上演出服，完成個人角色的轉換，出場演出。
The workshop at hku will consist of six parts : kabuki s history background , onna - gata actors in female roles , the art of kabuki make - up , arts and crafts on the kabuki stage , tsukeuchi : sound effects , and performance 即將在港大舉行的工作坊會包括六個環節：歌舞伎的歷史、男角反串旦角的女形、歌舞伎的化裝藝術、綜合藝術的歌舞伎、附打?舞臺音效、以及表演。
The workshop at hku consisted of six parts : kabuki s history background , onna - gata , the art of kabuki make - up , arts and crafts on the kabuki stage , tsukeuchi sound effects , and performance 今天的工作坊包括了六個環節：歌舞伎的歷史、男角反串旦角的女形、歌舞伎的化裝藝術、綜合藝術的歌舞伎、附打?音響制造的舞臺效果、以及表演。
Other upcoming events include a 5 - day japan anthropology workshop starting on march 17 with presentations from more than 100 scholars from 18 countries , and a planned kabuki workshop organised by the japanese club 緊隨而來的包括于3月17日開始為期5天的日本人類學工作坊，參加者分別來自18個國家，超過100名學者出席。
In 1992 , he started a highly acclaimed workshop , “ kabuki for everyone “ , that is designed to provide an enjoyable introduction to the intricate art of kabuki for people around the world 1992年起，他開始辦kabukiforeveryone工作坊，用輕松有趣的形式，將獨特的歌舞伎表演藝術介紹給世界各地的觀? 。
In 1992 , he started a highly acclaimed workshop , “ kabuki for everyone “ , that is designed to provide an enjoyable introduction to the intricate art of kabuki for people around the world 1992年起，他開始辦kabukiforeveryone工作坊，用輕松有趣的形式，將獨特的歌舞伎表演藝術介紹給世界各地的觀? 。
The book launch will be the first in a series of events this year to mark the 20th anniversary of the department . other upcoming events include a 5 - day japan anthropology workshop , and a planned kabuki workshop 緊隨而來的包括有為期5天的日本人類學工作坊和由日本學會贊助的歌舞伎工作坊。
In 1949 , he was born into the renowned ichimura kabuki family . his father , uzaemon xvii , was a “ living national treasure “ and his two brothers are also kabuki actors 1949年，他生于在歌舞伎界享負盛名的市村家，父親第十七代羽左衛門被譽為人間國寶，他的兩名兄弟亦成為歌舞伎演員。
After his highly acclaimed performance at the cultural centre in 2002 , mr ichimura manjiro returned to hong kong and gave an easy and enjoyable introduction to the art of kabuki at hku 他今次重臨香港，主持在港大舉行的工作坊，以淺白易明及生動有趣的方式，為大家介紹歌舞伎的表演藝術。
In 1949 , he was born into the renowned ichimura kabuki family . his father , uzaemon xvii , was a “ living national treasure “ and his two brothers are also kabuki actors 1949年，他生于在歌舞伎界享負盛名的市村家，父親第十七代羽左衛門被譽為人間國寶，他的兩名兄弟亦成為歌舞伎演員。
Music played with the instrument shamisen , a kind of guitar with only three strings . kabuki and bunraku performances are accompanied by the shamisen 由“三味線”演奏的音樂。 “三味線”是一種只有三根弦的彈撥樂器。 “歌舞伎”和“文樂木偶戲”的伴奏也是用“三味線” 。
After his highly acclaimed performance at the cultural centre in 2002 , mr ichimura manjiro will return to hong kong to give an easy and enjoyable introduction to the art of kabuki 他即將重臨香港，以淺白易明及生動有趣的方式，為大家介紹歌舞伎的表演藝術。
1958 , with its use of anachronistic sets and lighting influenced by kabuki theatre , greatly influenced a generation of filmmakers such as kobayashi masaki 和黑澤明同年出道，聲譽相當，但黑澤明的陽剛風格得寵國外，而木下的陰柔纖細，更合日本女性口味。
As kabuki grew in popular the battledores became associated with good fortune for new years celebrations , and as amulets to aid the growth of young women 這種毽子板隨著歌舞伎的繁榮而發展起來、成為正月里的吉祥物和祈禱女孩子健康成長的物件。
An insight of the diversified state of the system of chinese aesthetic standards in the middle ancient china from the descriptions of kabuki in the poetry of dunhuang 中樂妓形象看中古時期中國文化審美價值體系的多元化態勢

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kabuki

kabuki n.〔日語〕歌舞伎〔創始于17世紀的日本傳統劇種〕。

kabul

After his highly acclaimed performance at the cultural centre in 2002 , mr ichimura manjiro will return to hong kong to give an easy and enjoyable introduction to the art of kabuki 他即將重臨香港，以淺白易明及生動有趣的方式，為大家介紹歌舞伎的表演藝術。

1958 , with its use of anachronistic sets and lighting influenced by kabuki theatre , greatly influenced a generation of filmmakers such as kobayashi masaki 和黑澤明同年出道，聲譽相當，但黑澤明的陽剛風格得寵國外，而木下的陰柔纖細，更合日本女性口味。

As kabuki grew in popular the battledores became associated with good fortune for new years celebrations , and as amulets to aid the growth of young women 這種毽子板隨著歌舞伎的繁榮而發展起來、成為正月里的吉祥物和祈禱女孩子健康成長的物件。

An insight of the diversified state of the system of chinese aesthetic standards in the middle ancient china from the descriptions of kabuki in the poetry of dunhuang 中樂妓形象看中古時期中國文化審美價值體系的多元化態勢